Joseph M Gabriel Ph.D.

Joseph M Gabriel Ph.D.

Associate Professor

Main Campus

Joseph Gabriel studies the history of medicine in the United States. Much of his work focuses on the history of drugs and pharmaceuticals in the nineteenth and twentieth-centuries. He is also interested in the history of intellectual property, aesthetics, ethics, the early modern circulation of healing goods, and the experience of both pleasure and suffering. He is currently writing two books: the first is on the history of drug addiction in the early United States, while the second is on intellectual property rights and the American pharmaceutical industry in the years between World War I and World War II.

Dr. Gabriel holds joint appointments in the Department of History and the Department of Behavioral Sciences and Social Medicine. He received his PhD in History from Rutgers University and in 2006-2007 held a National Science Foundation postdoctoral fellowship in the science studies program at the University of California, San Diego.

 

Rutgers University

Ph.D., Department of History

 

2006

University of Massachusetts at Amherst

M.A., History

 

1999

University of Massachusetts at Amherst

B.A., Philosophy

 

1992

 

Pressman-Burroughs Wellcome Award from the American Association for the History of Medicine

2009

First-Year Assistant Professor Research Grant, Florida State University

2008

National Science Foundation Postdoctoral Fellowship, University of California San Diego

2006-2007

Reynolds Associate Research Fellowship, Lister Hill Library of Health Sciences, University of Alabama, Birmingham

2007

University Graduate Excellence and Research Fellowship, Institute for Health, Health Care Policy, and Aging Research, Rutgers University

2004-2005

 

  1. Crawford, M. and Gabriel, J. eds., Drugs on the Page: Pharmacopeias and Healing Knowledge in the Early Modern Atlantic World (University of Pittsburgh Press, 2019)
  2. Joseph M. Gabriel, Medical Monopoly: Intellectual Property Rights and the Origins of the Modern Pharmaceutical Industry (University of Chicago Press, 2014)
  3. Joseph M. Gabriel and Sukamar Desai, “’The Warmth of His Continuing Interest’: Henry K. Beecher, the Bioethics Revolution, and Pharmaceutical Industry Funding of Academic Medical Science in Cold War America” Journal of the History of Medicine and Allied Sciences 78:2 (2023), 191-2008
  4. Joseph M. Gabriel and Bennett Holman, “Clinical Trials and the Origins of Pharmaceutical Fraud: Parke, Davis & Company, Virtue Epistemology, and the History of the Fundamental Antagonism,” History of Science 58:4 (2020), 533-558.
  5. Gabriel, J.M. “Jacob Stegenga’s Medical Nihilism: Medical Nihilism, Historical Scholarship, and the Question of Efficacy” Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences (2020)
  6. Joseph M. Gabriel, “Psychedelia and the History of the Chemical Sublime” in Temenuga Trifonova, ed., Contemporary Visual Culture and the Sublime (Routledge, 2017), 236-251.
  7. Joseph M. Gabriel, ""Pharmaceutical Patenting and the Transformation of American Medical Ethics" British Journal of the History of Science 49:4 (2016), 577-600.
  8. Nathan Crick and Joseph M. Gabriel, "Medical Narrative and the Rhetoric of Identification: The Many Faces of Anna White Dildane" Health Communication (2016)
  9. Joseph M. Gabriel, "Damage" in Trysh Travis and Timothy Aubry, eds., Re-Thinking Therapeutic Culture (University of Chicago Press, 2015),24-32.
  10. Joseph M. Gabriel and Daniel Goldberg, "Big Pharma and the Problem of Disease Inflation" International Journal of Health Services 44:2 (2014), 307-22.
  11. Joseph M. Gabriel, "The Testing of Sanocrysin: Science, Profit, and Innovation in Clinical Trial Design, 1926-31" Journal of the History of Medicine and Allied Sciences 69:4 (2014), 604-632
  12. Joseph M. Gabriel, “Bioart and Biopower: Reflections on the Aestheticization of Life Itself” in Judith Rushin, curator and editor, Heads, Shoulders, Genes, Toes (Florida State University Museum of Fine Arts, 2013), 15-31.

 



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